Every film fromthe same team.

Patient films, trial recruitment, AI-crafted content and congress films. The same team builds all four around a single therapy or trial.

  • Patient films
  • Trial recruitment
  • AI-crafted content
  • Congress films
  • Reviewed once
  • Versioned everywhere
  • Every market

Five vendors make five different films.

The alternative is a single brief, and every film in the set is built from it.

Five vendors

  • Five briefs and five readings of the same science.
  • Five looks, because the grade and the type change with the vendor.
  • The mechanism film and the patient film quietly contradict each other.
  • Five compliance trails, each defended separately at review.
  • Nothing is reusable, so next quarter starts from zero again.

Five looks, no through-line.

This studio

  • The same team reads the science once, from a single brief.
  • The grade and the type system carry across every cut and every market.
  • The mechanism film and the patient film agree, because they share a source.
  • Review runs once, across the whole set.
  • Every language and every ratio versions from the same master.

The set holds together, start to finish.

Built once, versioned everywhere.

Three sources go in, an approved master comes out. Everything else versions from there.

Your data
Your label
The literature
The approved masterreviewed once
Every languageNative voice, on-screen text rebuilt.
HCP cutThe depth a specialist expects.
Patient cutPlain language, identical claims.
Every aspect ratioWide, vertical and square.
Congress and web specsStage screen, stand loop, social.

The claim a reviewer cleared in English is the claim a patient reads in German. Nothing drifts, because nothing is rebuilt.

Built to hold together.

Drag the playhead. Arrow keys work too.

  1. 01 · 00:00The script starts with your data
  2. 02 · 00:15The look holds across the set
  3. 03 · 00:30Review happens once
  4. 04 · 00:45Every version comes from one build

01 · 00:00

Your label and the published literature, before anything is written.

  1. The script starts with your data

    Your label and the published literature, before anything is written.

  2. The look holds across the set

    The grade, type and motion carry over to every film.

  3. Review happens once

    Your team reviews the whole set in a single pass.

  4. Every version comes from one build

    Languages, ratios and cuts, all from the same master.

See the work.

Bring us the therapy.

A single call is usually enough to see which film moves first.